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“The Lost Glory of Katrina Blooms” is a story of the ambition and violence, and the uncompromising of the press that he has experienced. The characters that appear are most flat, and the structure of the evil that is exposed to the lions is also relatively sharp and adorable. This work shows how the modern society has become one human image, articles, rumors, and the process that transcends one word.

In the first enthusiasm scene, the hero "Karina" will try to express the sentences of the sentences of the sentences of the sentences of the sentences of the enthusiasm about themselves (or language). “zudringlich”, not “zärtlich”, but “zudringlich”, when she checks and describes the attitude of men. This is also like an indispensable resistance to the fact that others are stimulating their social presence soon. In order to deliver the ‘satel’ itself, she looked like to know that she had to keep the ‘word’ that cast.

However, this book shows how much this subjective resistance is incredibly harmless. Even if the katarina corrects any word, the huge device of the outside is misunderstanding and distorted. The mother's carnation in the despair is reorganized in the article of the compostgues, and the police and the press are deployed in the most stimulating form of peripherals. While Katrina was “experience words”, the device around her doesn’t work to correct the affection. They’re not ‘the truth’, but they’re ‘appealable’ to stimulate the public.

In this point, the "Simulacra" of Boriyar is left. The ‘reality’ of modern society is simply entering the stage where the image reproduced is more powerful than the original. The essence of the tragedy faced by Katrina is here. She is a evident person, but socially distributed and consumed is only "Karina in the article", "Karina in the article." "Social figures" are sharper than the original, even with a few facts, manipulated photos and debris. In the moment, the katarina is squeezed, and the public only responds to the original digitized images.

After all, the polarization of Katrina does not stay in the fact that it is a simple ovo victim. More essentially, she began to be consumed with a spectacle of "Karina Bloom" than she exists with herself. The more she wants to thaw herself, the more thaw she thaws with the ingredients of another article and interpretation. In the course, it is impossible to prove the self-proclaimed as the original that comes out from the language of others.

The two powers of the ‘The Chamber of Commerce’ and ‘Social Abstracts’ draws her extreme change. The verses of the neighbors are desperate, and the violence of anonymity is poured, and the violence of the fighters has caused the death of the mother. In the situation where you can sell her, the whole world that Catarina belongs to push her outside. The language has already gone beyond the hands of power and the society has consumed her as a word symbol, and now she realizes that it can never keep himself in the work of fixing words one.

The last gun is not only the explosion of a simple fury. It is a monster that she is not a journalist, but is not a police authority, the violence of the press, male immersion, acute sympathy, and the sensuality of the public. Katrina has been able to respond to the fact that it is no longer possible to resist in the "multilingual chapter", and it will be intervened in reality through its own.

They often submit self-destruction to the foremost proof of self-destruction, not to prove the depression in some East Asia (or China). "I'm expecting to be a sympathy," he said. However, these ‘basic’ is still admitted to the public and society as a final judge, and act on the slender hope that their death is accepted as a statement. On the other hand, Katrina does not trust the statutory itself of the gallon. In order to know that his death will be absorbed in the terrific sentences of others, she will take care of. If the suicide is in a closed court, it is close to the rupture of the authority itself of the court.

But it’s really a lot to stop the system of suppression. A person who has been removed, the violent 'the machine of the sea', who has been neglected to him. Rather, her trigger was a more powerful and violent savior called “I’m a woman who might want to determinate the savior kills, and it is resurrectioned in the system. Her Totalness is ethical in the forefront of just one structure, and she does not get completely out of the system even in such extreme resistance.

The important thing to Michele Fuco is that "what is considered true, and who has power to ignite it." Katrina is a re-technical (再記述) that is not simply improper to the human body, but in the "wright women" it is a "wright criminal's companion" in the "wright women". When Boardyur has captured the phenomena of the "Secret" to replace the "Secret", Fuko will develop the "Secret" of the "Secret" that is justified. Katrina is a sign that the press is not a 'recovery' character, but the power of the gallon is 'recovery'.

In the end, the question that this thin novel is thrown. "What is the truth" but "The truth is that it is socially produced and commonly used". Indeed, it is not to be approved as the social truth soon as it is. In the modern society, humans will not be present to themselves, and they will only be present on the cross coordinates of symbols, records, and confession. Humans are replaced by their images, and their images are a thorough result of the true production device that powers.

"Katarina's saturation is the answer to "I'm not that." Even though we can’t prove a perfect free ‘one book’ in the interpretation of others, but we can’t give you a note. As the first word, her resistance, which was finished as a generality, is all over the failure, but the ulcer itself of the failure is left to us deeply. Humans are constantly trying to prove themselves, and the society distorts its proof. We feel the presence of an unstable anxiety is because we are waiting in the acquainted cracks between 'I' and 'I' that I feel.

The meaning of this novel is to expose the ambition of the human rights to control the meaning of themselves without the need to determinate the ambition of the human social structure. How can I get to know if I’m going to be a free subject? What does Tain and Social Foundation and Produce Me with Power of the System and Language? How do I look at my place that was so molded?